St Antoinine of Sorrento OSB (14 February)

Today the martyrology remembers St Antoinine, an abbot who probably lived in the ninth century. 

According to the Wikipedia, he was born at Campagna, he left his native town to become a monk at Monte Cassino.

"During that time, Italy was suffering from barbarian invasions and Antoninus was forced to leave this monastery. Monte Cassino had been plundered by the Lombards and the monks escaped to Rome to seek protection from Pope Pelagius II. Antoninus, however, headed for Campania where he ended up at Castellammare di Stabia. Here Saint Catellus (San Catello) was bishop. Catellus, wishing to become a hermit, gave up his office as bishop and entrusted Antoninus with the task of serving as the town's bishop. Catellus withdrew to Monte Aureo.

The desire to remain a hermit himself led Antoninus to convince Catellus to return to his see. Antoninus retired to Monte Aureo himself and lived in a natural grotto. However, Catellus again decided to withdraw to this mountain and dedicate himself only sporadically to the cares of his diocese.

An apparition of Saint Michael is said to have convinced the two to construct the stone church now known as Monte San Angelo or Punta San Michele.

Subsequently, Catellus was accused of witchcraft by a priest named Tibeius (Tibeio) of Stabia and was held captive at Rome until a new pope released him. Catellus returned to Stabia and dedicated himself to expanding the church that he had helped found.

Inhabitants of Sorrento, meanwhile, convinced Antoninus to settle at Sorrento. Antoninus became an abbot of the Benedictine monastery of San Agrippino, succeeding Boniface (Bonifacio) in this capacity.

A miracle attributed to Saint Antoninus states that he saved a young child from a whale after it had been swallowed up by this sea creature. The sorrentini erected a crypt and basilica in honor of Antoninus. He was credited with saving the city from many dangers: a Moorish naval invasion; the revolt of the Sorrento leader Giovanni Grillo against Spanish domination; demonic possession; bubonic plague; and cholera."

The season of Septuagesima

Septuagesima Sunday marks the start of the 'pre-Lenten' or 'Shrovetide' season.

Septuagesimatide comprises of three Sundays, named for their distance from Easter:

• the week of Septuagesima;
• the week of Sexagesima; and
• Quinquagesima Sunday and the Monday and (Shrove) Tuesday before Ash Wednesday.

Septuagesimatide is a post-St Benedict addition to the calendar (one of the Gregorian reforms), hence the inconsistency between the rubrics, which banish the Alleluia for this period, and St Benedict's own prescriptions for the use of the Alleluia in the Rule in Chapter 15.

This little warm-up season is intended to help us ease us into Lenten mode, and so is a good time to start thinking about what book to choose as spiritual reading for Lent, and what penances you plan to adopt.

The key features of the Office for the Season of Septuagesimatide are:

• the Alleluia is solemnly 'buried' with extra Alleluias added to the close of the Office of I Vespers of Septuagesima Sunday and thereafter the Alleluia is no longer used in the Office;
• in the opening prayers of the Office the alleluia is replaced by 'Laus tibi Domine, Rex aeternae gloriae';
• at Matins, the Alleluias used as antiphons are replaced, on weekdays by three antiphons to be found in the psalter, and on Sundays be an antiphon for the third nocturn to be found in the temporale; 
• On Sundays Matins has an invitatory specific to the season (Preoccupemus); and 
• at Vespers, there are daily antiphons for the Magnificat.

February 11: St Benedict of Aniane

St Benedict of Aniane (747 – 821) was the great codifier of monastic practice and rules under the Carolingian Empire, and is often credited with mandating of the use of the Rule of St Benedict among monks.

February 10:St Scholastica, Class I/II

St Scholastica (c480-543) was the twin sister of St Benedict.  She originally set up a monastery at Subiaco, and followed her brother when he moved to Monte Cassino, at the nearby monastery of Plumbariola.

Most of the information we have about her comes from St Gregory's Dialogues, including the story of their famous last day together, depicted in the painting above.  You can read the relevant parts of St Gregory on her here.  St Gregory depicts her as outdoing her brother in holiness, and providing a charismatic counter to his insistence on following the rules to the letter!

Her feast is celebrated as a Class I by Benedictine nuns, in part because, as well as attesting to the tradition of twinned monasteries, she also lends support for the fact that originally at least, Benedictine nuns were not established as a "second Order", with stricter enclosure requirements than for men as for later Orders, but rather the provisions of the Rule generally apply equally to both monks and nuns. Indeed, there is a nice letter (which may be a later medieval pious fraud, but nonetheless attests to the point) attributed to St Scholastica on this very point, which you can read over at Vultus Christi.

A Song about St Scholastica

Finally, from the Monastic matrix project, courtesy of Logismoi, a song by St Aldhelm, Bishop of Sherborne (c 639-709):

Scholastica took her very name from schola,
God enriches her abundantly with heavenly favour,
She who gained golden rewards by her virginal vow.

Concerning whom a little twig of nourishing life
is wont to scatter excellence
as widely as the world extends.

Because the virgin impatiently urges her brother
who is joined to her by a covenant of kinship,
and supports her pleas with reasoned argument

So that, at night, they might partake
of the sweet courses of the holy books
and the banquets of the holy word.
From which the breasts of many
are sufficiently filled,

And the hearts of holy people nourished.
But the faithful brother is not moved by any pleas,
Nay rather he disdains his holy sister in his words.
Then the virgin urged the good Christ in her heart
to deign to heal the wound of sorrow for her.

Thus soon the whole sky grows dark
with a stormy whirlwind
and the vault of the heaven with gloomy air.
Huge rumbling thunder,
mingled with flashing lightning bolts,

And the Earth quaked,
trembling from the great noise.
Wet fleecy clouds moisten it with dewy drops,
And the air bedews the land with gloomy showers.
The valleys are filled
and abundant streams overflow,

Then unwillingly he remained
who before had deliberately refused
what his distressed and weeping sister had sought.
So God heeds those who ask with burning heart,
Even when they pay attention to words
which do not console.

(translated by Mary Forman, OSB, and originally published in Vox Benedictiana, 1990)

St Romuald OSB (Feb 7)



Fra Angelico ca1440

Today is the feast of St Romuald (950-1027), founder of the Camaldolese Congregation of Benedictines.  The Martyrology says:

"St. Romuald, founder of the Camaldolese monks, whose birthday is the 19th of June, but celebrated today because of the transference of his body."

Butler's Lives of the Saints sets out his life as follows:

"IN 976, Sergius, a nobleman of Ravenna, quarrelled with a relative about an estate, and slew him in a duel. His son Romuald, horrified at his father's crime, entered the Benedictine monastery at Classe, to do a forty days’ penance for him. This penance ended in his own vocation to religion. After three years at Classe, Romuald went to live as a hermit near Venice, where he was joined by Peter Urseolus, Duke of Venice, and together they led a most austere life in the midst of assaults from the evil spirits. St. Romuald founded many monasteries, the chief of which was that at Camaldoli, a wild desert place, where he built a church, which he surrounded with a number of separate cells for the solitaries who lived under his rule. His disciples were hence called Camaldolese. He is said to have seen here a vision of a mystic ladder, and his white-clothed monks ascending by it to heaven. Among his first disciples were Sts. Adalbert and Boniface, apostles of Russia, and Sts. John and Benedict of Poland, martyrs for the faith. He was an intimate friend of the Emperor St. Henry, and was reverenced and consulted by many great men of his time. He once passed seven years in solitude and complete silence.

In his youth St. Romuald was much troubled by temptations of the flesh. To escape them he had recourse to hunting, and in the woods first conceived his love for solitude. His father's sin, as we have seen, first prompted him to undertake a forty days' penance in the monastery, which he forthwith made his home. Some bad example of his fellow monks induced him to leave them and adopt the solitary mode of life. The penance of Urseolus, who had obtained his power wrongfully, brought him his first disciple; the temptations of the devil compelled him to his severe life; and finally the persecutions of others were the occasion of his settlement at Camaldoli, and the foundation of his Order. He died, as he had foretold twenty years before, alone, in his monastery of Val Castro, on the 19th of June, 1027.

Reflection.—St. Romuald's life teaches us that, if we only follow the impulse of the Holy Spirit, we shall easily find good everywhere, even on the most unlikely occasions. Our own sins, the sins of others, their ill will against us, or our own mistakes and misfortunes, are equally capable of leading us, with softened hearts, to the feet of God's mercy and love."

St Agatha (Feb 5)

Here is the Matins reading for St Agatha, today's saint:

Agatha, born in Sicily of noble parents, suffered a glorious martyrdom at Catania In the persecution of the emperor Decius. For when Quintianus, the praetor of Sicily, had vainly tried every means to tempt her from her virginity, he had her arrested as adhering to the Christian superstition. First she was beaten,then tortured on the rack with white hot iron plates laid on her; then one of her. breasts was cut off. Next she was thrown into prison, where St. Peter the Apostle appeared to her by night and healed her. Again called before the praetor she persevered in confessing Christ, and he had her rolled over broken pottery and burning coals. But then a great earthquake violently shook the city, and Ouintianus, afraid of a riot among the people, gave orders that Agatha, now half dead, secretly be taken back to prison. There after a short time she went to heaven on February 5.

From the (2001) martyrology: St Rabanus Maurus (Feb 4)

St Rabanus supported by Alcuin
dedicates his work to AB Otgar of Mainz
Manuscript circa 831-40

Today is the feast of an important but still rather neglected Benedictine saint, St Rabanus Maurus, likely author of the Veni Creator.

Pope Benedict XVI gave a General Audience on him in 2009:

"Today I would like to speak of a truly extraordinary figure of the Latin West: Rabanus Maurus, a monk. Together with men such as Isidore of Seville, the Venerable Bede and Ambrose Autpert of whom I have already spoken in previous Catecheses, during the centuries of the so-called "High Middle Ages" he was able to preserve the contact with the great culture of the ancient scholars and of the Christian Fathers. Often remembered as the "praeceptor Germaniae", Rabanus Maurus was extraordinarily prolific. With his absolutely exceptional capacity for work, he perhaps made a greater contribution than anyone else to keeping alive that theological, exegetic and spiritual culture on which successive centuries were to draw. He was referred to by great figures belonging to the monastic world such as Peter Damian, Peter the Venerable and Bernard of Clairvaux, as well as by an ever increasing number of "clerics" of the secular clergy who gave life to one of the most beautiful periods of the fruitful flourishing of human thought in the 12th and 13th centuries.

Born in Mainz in about 780, Rabanus entered the monastery at a very early age. He was nicknamed "Maurus" after the young St Maur who, according to Book II of the Dialogues of St Gregory the Great, was entrusted by his parents, Roman nobles, to the Abbot Benedict of Norcia. Alone this precocious insertion of Rabanus as "puer oblatus" in the Benedictine monastic world and the benefits he drew from it for his own human, cultural and spiritual growth, were to provide an interesting glimpse not only of the life of monks and of the Church, but also of the whole of society of his time, usually described as "Carolingian". About them or perhaps about himself, Rabanus Maurus wrote: "There are some who have had the good fortune to be introduced to the knowledge of Scripture from a tender age ("a cunabulis suis") and who were so well-nourished with the food offered to them by Holy Church as to be fit for promotion, with the appropriate training, to the highest of sacred Orders" (PL 107, col. 419 BC).

The extraordinary culture for which Rabanus Maurus was distinguished soon brought him to the attention of the great of his time. He became the advisor of princes. He strove to guarantee the unity of the Empire and, at a broader cultural level, never refused to give those who questioned him a carefully considered reply, which he found preferably in the Bible or in the texts of the Holy Fathers. First elected Abbot of the famous Monastery of Fulda and then appointed Archbishop of Mainz, his native city, this did not stop him from pursuing his studies, showing by the example of his life that it is possible to be at the same time available to others without depriving oneself of the appropriate time for reflection, study and meditation. Thus Rabanus Maurus was exegete, philosopher, poet, pastor and man of God. The Dioceses of Fulda, Mainz, Limburg and Breslau (Wrocław) venerate him as a saint or blessed. His works fill at least six volumes of Migne's Patrologia Latina. It is likely that we are indebted to him for one of the most beautiful hymns known to the Latin Church, the "Veni Creator Spiritus", an extraordinary synthesis of Christian pneumatology. In fact, Rabanus' first theological work is expressed in the form of poetry and had as its subject the mystery of the Holy Cross in a book entitled: "De laudibus Sanctae Crucis", conceived in such a way as to suggest not only a conceptual content but also more exquisitely artistic stimuli, by the use of both poetic and pictorial forms within the same manuscript codex. Suggesting the image of the Crucified Christ between the lines of his writing, he says, for example: "This is the image of the Saviour who, with the position of his limbs, makes sacred for us the most salubrious, gentle and loving form of the Cross, so that by believing in his Name and obeying his commandments we may obtain eternal life thanks to his Passion. However, every time we raise our eyes to the Cross, let us remember the one who died for us to save us from the powers of darkness, accepting death to make us heirs to eternal life" (Lib. 1, fig. 1, PL 107 col. 151 C).

This method of combining all the arts, the intellect, the heart and the senses, which came from the East, was to experience a great development in the West, reaching unparalleled heights in the miniature codices of the Bible and in other works of faith and art that flourished in Europe until the invention of printing and beyond. In Rabanus Maurus, in any case, is shown an extraordinary awareness of the need to involve, in the experience of faith, not only the mind and the heart, but also the senses through those other aspects of aesthetic taste and human sensitivity that lead man to benefit from the truth with his whole self, "mind, soul and body". This is important: faith is not only thought but also touches the whole of our being. Since God became Man in flesh and blood, since he entered the tangible world, we must seek and encounter God in all the dimensions of our being. Thus the reality of God, through faith, penetrates our being and transforms it. This is why Rabanus Maurus focused his attention above all on the Liturgy as a synthesis of all the dimensions of our perception of reality. This intuition of Rabanus Maurus makes it extraordinarily up to date. Also famous among his opus are the "Hymns", suggested for use especially in liturgical celebrations. In fact, since Rabanus was primarily a monk, his interest in the liturgical celebration was taken for granted. However, he did not devote himself to the art of poetry as an end in itself but, rather, used art and every other form of erudition as a means for deepening knowledge of the word of God. He therefore sought with great application and rigour to introduce his contemporaries, especially ministers (Bishops, priests and deacons), to an understanding of the profoundly theological and spiritual meaning of all the elements of the liturgical celebration.

He thus sought to understand and to present to others the theological meanings concealed in the rites, drawing from the Bible and from the tradition of the Fathers. For the sake of honesty and to give greater weight to his explanations, he did not hesitate to indicate the Patristic sources to which he owed his knowledge. Nevertheless he used them with freedom and with careful discernment, continuing the development of patristic thought. At the end of the "Epistola prima", addressed to a "chorbishop" of the Diocese of Mainz, for example, after answering the requests for clarification concerning the behaviour to adopt in the exercise of pastoral responsibility, he continues, "We have written all these things for you as we deduced them from the Sacred Scriptures and the canons of the Fathers. Yet, most holy man, may you take your decisions as you think best, case by case, seeking to temper your evaluation in such a way as to guarantee discretion in all things because it is the mother of all the virtues" (Epistulae, I, PL 112, col. 1510 C). Thus the continuity of the Christian faith which originates in the word of God becomes visible; yet it is always alive, develops and is expressed in new ways, ever consistent with the whole construction, with the whole edifice of faith.

Since an integral part of liturgical celebration is the word of God Rabanus Maurus dedicated himself to it with the greatest commitment throughout his life. He produced appropriate exegetic explanations for almost all the biblical books of the Old and New Testament, with clearly pastoral intentions that he justified with words such as these: "I have written these things... summing up the explanations and suggestions of many others, not only in order to offer a service to the poor reader, who may not have many books at his disposal, but also to make it easier for those who in many things do not succeed in entering in depth into an understanding of the meanings discovered by the Fathers" (Commentariorum in Matthaeum praefatio, PL 107, col. 727 D). In fact, in commenting on the biblical texts he drew amply from the ancient Fathers, with special preference for Jerome, Ambrose, Augustine and Gregory the Great.

His outstanding pastoral sensitivity later led him to occupy himself above all with one of the problems most acutely felt by the faithful and sacred ministers of his time: that of Penance. Indeed, he compiled the "Penitenziari" this is what he called them in which, according to the sensibility of his day, sins and the corresponding punishments were listed, using as far as possible reasons found in the Bible, in the decisions of the Councils and in Papal Decretals. The "Carolingians" also used these texts in their attempt to reform the Church and society. Corresponding with the same pastoral intentions, were works such as "De disciplina ecclesiastica" and "De institutione clericorum", in which, drawing above all from Augustine, Rabanus explained to the simple and to the clergy of his diocese the basic elements of the Christian faith: they were like little catechisms.

I would like to end the presentation of this great "churchman" by quoting some of his words in which his basic conviction is clearly reflected: "Those who are negligent in contemplation ("qui vacare Deo negligit"), deprive themselves of the vision of God's light; then those who let themselves be indiscreetly invaded by worries and allow their thoughts to be overwhelmed by the tumult of worldly things condemn themselves to the absolute impossibility of penetrating the secrets of the invisible God" (Lib I, PL 112, col. 1263 A). I think that Rabanus Maurus is also addressing these words to us today: in periods of work, with its frenetic pace, and in holiday periods we must reserve moments for God. We must open our lives to him, addressing to him a thought, a reflection, a brief prayer, and above all we must not forget Sunday as the Lord's Day, the day of the Liturgy, in order to perceive God's beauty itself in the beauty of our churches, in our sacred music and in the word of God, letting him enter our being. Only in this way does our life become great, become true life."